In DAS VERSTECK (1978), one year after his divorce, Max tries to win back his ex-wife Wanda with a ruse – he pretends to be wanted by the police and asks her for shelter. SCHULDNER (1971) was commissioned by the VEB Kommunale Wohnungsverwaltung Berlin and depicts tenants in arrears in Prenzlauer Berg – interpreting their behavior through an ideological lens.