The greatest contemporary European thinker in cinema, Radu Jude, is back—and how! He has thrown two films into the festival circus this year, but nothing is as radical, excessive, and exuberant as “Dracula.” This myth is usually a Western projection: from Bram Stoker's novel to Hollywood's bloodsuckers. Romania, the supposed home of the undead, has always been left out of the picture. But Jude is now bringing him home – and turning him into an explosive prism of the present.